The exhibition anthologically collects the sculptural production of Giancarlo Frison, active since the 1960s. His works, predominantly in terracotta or bronze, have forms and a poetics in which lightness prevails, a dreamy quality capable of liberating the observer’s imagination, in a synthesis possible only for those who approach Sculpture with technical and ethical awareness. Thus, it speaks to both the eyes of the simple and the learned. A sort of ethical dreamlike realism. The works on display are composed of different cycles: some of them clearly refer to the Sacred, others to the Phenomenological aspects of Nature or Agricultural Work in a descriptive manner, and still others to the Symbolic and Topological Geometries.